The Eton Boys Trilogy

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WHAT A LADY CRAVES

Henrietta Upperton is about to marry Alexander Sanford when he rushes off to India to salvage his family’s fortune. Then comes the devastating news that he has wed another. Eight agonizing years later, a storm washes Alexander ashore—injured, widowed, and hunted—and one glimpse of his ruggedly handsome face reawakens the desire Henrietta thought she had buried deep inside. Her body still yearns for his touch, but she’s determined not let him wound her again . . . not this time.

For Alexander, honor always comes first. But only now does he realize that when given the choice between two virtuous deeds, he picked the wrong one. On the run with his life in tatters and a pair of daughters in tow, Alexander burns for Henrietta. He knows he does not deserve forgiveness. And yet he longs to wrap his arms around her warm body once again. What’s more, he is sure the lady craves the same.

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WHAT A LADY DEMANDS

Viscount Lindenhurst cannot seem to find a governess who meets his impossible standards—until Cecelia Sanford becomes the first woman to interrupt the widower’s brooding in years. Lind had returned home from the Napoleonic wars, broken in body and soul and longing for his wife’s embrace, only to find her changed. Before they could reconcile, an accident struck their son and claimed her life. Now enter Cecelia, with her soft curves and sharp tongue—a tempting distraction, it is true, but not a welcome one.

Past the usual marrying age and haunted by a scandal of her own, Cecelia soon finds herself caring for both the child and the man. The viscount is brittle and even abrupt at times, yet she cannot deny the attraction that stirs her body in his presence. Moved by the deep sense of abandonment that tortures his soul, Cecelia aches to fully awaken Lind’s heart from its rancorous slumber—if she can just keep their pasts from destroying a second chance at love.

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WHAT A LADY REQUIRES

Unlike every other proper young lady, Miss Emma Jennings views marrying well as little more than a means to an end. Such a merger would provide her industrious father with social credibility, and Emma with a chunk of her vast inheritance. Emma’s practical views are shattered, however, when her father ties her to the fabulously handsome ne’er-do-well Rowan Battencliffe, a man she loathes on sight—from the smile that promises all manner of wickedness to the way he ogles her with those striking blue eyes.

Deep in debt, especially to his wine merchant, Rowan figures the sooner he gets his finances in order, the sooner he can go back to doing what he does best: burning through ridiculous sums of cash. Which is why Rowan agrees to marry the merchant’s daughter, a prim and proper woman with delightful curves and an ample dowry. But Emma seems to think it’s her business to reform him! Their marriage is a tinderbox—and it’s just too tempting to resist playing with fire.